Released 9 March 1998
Recorded November and December 1997 at Sound Suite Studio in Marseille, France
Genre Symphonic gothic metal
Length 53:07
Label Napalm
Producer Tristania & Terje Refsnes
Track listing
1. "Preludium..." Instrumental 1:09
2. "Evenfall" Morten Veland 6:51
3. "Pale Enchantress" Veland 6:31
4. "December Elegy" Veland 7:31
5. "Midwintertears" Veland 8:32
6. "Angellore" Veland 7:16
7. "My Lost Lenore" Veland 6:23
8. "Wasteland's Caress" Veland 7:40
9. "...Postludium" Instrumental 1:12
Total length: 53:07
Limited Edition
10. "Sirene" Instrumental 3:22
11. "Cease to Exist" Veland 9:17
Total length: 65:46
Vibeke Stene – vocals, choir
Morten Veland – harsh vocals, guitars, choir
Anders H. Hidle – guitars, choir
Rune Osterhus – bass
Einar Moen – synth, programming
Kenneth Olsson – drums, choir
Session members
Osten Bergoy – clean vocals on "Angellore", choir
Pete Johansen – violin
Hilde Egeland, Marita Herikstad, Hilde T. Bommen – choir
ゴシック・メタル・バンド、トリタニアのファースト・フルレンジ・スタジオ・アルバム。
男女混合ボーカルだが、私の聴いた他のゴスメタに比べるとデスボイスの割合が高い。
ゲスト・ミュージシャンだが絃楽器を導入し荘厳さを醸し出している。
これぞゴスメタの王道とも言えるだろう。
Recorded November and December 1997 at Sound Suite Studio in Marseille, France
Genre Symphonic gothic metal
Length 53:07
Label Napalm
Producer Tristania & Terje Refsnes
Track listing
1. "Preludium..." Instrumental 1:09
2. "Evenfall" Morten Veland 6:51
3. "Pale Enchantress" Veland 6:31
4. "December Elegy" Veland 7:31
5. "Midwintertears" Veland 8:32
6. "Angellore" Veland 7:16
7. "My Lost Lenore" Veland 6:23
8. "Wasteland's Caress" Veland 7:40
9. "...Postludium" Instrumental 1:12
Total length: 53:07
Limited Edition
10. "Sirene" Instrumental 3:22
11. "Cease to Exist" Veland 9:17
Total length: 65:46
Vibeke Stene – vocals, choir
Morten Veland – harsh vocals, guitars, choir
Anders H. Hidle – guitars, choir
Rune Osterhus – bass
Einar Moen – synth, programming
Kenneth Olsson – drums, choir
Session members
Osten Bergoy – clean vocals on "Angellore", choir
Pete Johansen – violin
Hilde Egeland, Marita Herikstad, Hilde T. Bommen – choir
ゴシック・メタル・バンド、トリタニアのファースト・フルレンジ・スタジオ・アルバム。
男女混合ボーカルだが、私の聴いた他のゴスメタに比べるとデスボイスの割合が高い。
ゲスト・ミュージシャンだが絃楽器を導入し荘厳さを醸し出している。
これぞゴスメタの王道とも言えるだろう。